![paruthiveeran dialogues paruthiveeran dialogues](https://cinemachaat.files.wordpress.com/2011/02/cinemachaat_paruthiveeran_11.png)
If the focus is on relationships, then those unwanted fights should have been avoided and made the film more engaging. The idea was make something similar to Paruthiveeran but Komban falls short. He looked threatening and gave a tough competition to the hero. Super Subrayan as a villain was too good with his expressions. Thambi Ramaiah filled the gaps with his timing dialogues and antics. The director could have brought out more out of him. The veteran Rajkiran didn't get enough scope to showcase his acting abilities.
![paruthiveeran dialogues paruthiveeran dialogues](https://i.ytimg.com/vi/WS8lJdOOwVA/maxresdefault.jpg)
Lakshmi Menon is an expert in this kind of village girl roles and she was excellent. The dialogues and facial expressions were perfect. Karthi fits quite well and delivered a flawless performance. Karthi performed them with ease.Īcting wise, Komban is brimming with loads of performances. 160 minutes is way beyond the human tolerance limit and lot of scenes could have been trimmed to make the film more racy and tight. The focus kept shifting and the cuts were abrupt. Karruppu Nerathazhagi was good and shot well too. Climax fight BGM was the best in the entire film. The camera placement during the fights was good. The story was predictable and lacked the emotional connect.Ĭinematography by Velraj was good and he captured the rural setting in its original form. There was no time to soak in the emotions, when the film deals with relationships. Even before you start feeling for the character, there is a cut and this unwanted villain makes an entry or a song or Thambi Ramaiah cracks a joke. 2nd half was intended to be emotionally engaging but it failed. First half is commercial so it goes off in a flash. The director didn't give us the time to understand what he is trying to convey in the 2nd half. Fights, love, songs, sentiment, humor and bit of message, which I failed to understand. Screenplay has everything you can ask for. Rest of the film is about how he bonds with his father in law amidst local politics and fights. The wife and the father in law walks off and we reach the interval block. He does not have a good feeling on his father in law and breaks his head once in a heated argument. Under cinematic liberties, they get married without any fuss, thereby cutting all the cliches. He sees this girl Palani and falls in love. Kombaya Pandian is an angry young man, who cannot tolerate injustice even one bit.
![paruthiveeran dialogues paruthiveeran dialogues](https://i.pinimg.com/564x/10/66/7f/10667f829681d49d0168006678ccd58d.jpg)
I sometimes feel that nobody can do a rural character so good, that he literally lives the character but this time Komban falls miserably short of Paruthiveeran, though the stories are different, the comparisons are inevitable. After Madras, which was a runway hit, Karthi is back with what he knows best, the Vesthi's, rough dialogues, generous thigh show and of course his striped bermudas aka Pattapatti.